The Roman Theatre of Orange (French: Théâtre antique d’Orange) is a Roman theatre in Orange, Vaucluse, France. It was built early in the 1st century AD. The structure is owned by the municipality of Orange and is the home of the summer opera festival, the Chorégies d’Orange.
It is one of the best preserved of all Roman theatres, and served the Roman colony of Arausio (or, more specifically, Colonia Julia Firma Secundanorum Arausio: “the Julian colony of Arausio established by the soldiers of the second legion”) which was founded in 40 BC. Playing a major role in the life of the citizens, who spent a large part of their free time there, the theatre was seen by the Roman authorities not only as a means of spreading Roman culture to the colonies, but also as a way of distracting them from all political activities.
Mime, pantomime, poetry readings and the “attelana” (a kind of farce rather like the commedia dell’arte) was the dominant form of entertainment, much of which lasted all day. For the common people, who were fond of spectacular effects, magnificent stage sets became very important, as was the use of stage machinery. The entertainment offered was open to all and free of charge.
As the Western Roman Empire declined during the 4th century, by which time Christianity had become the official religion, the theatre was closed by official edict in AD 391, since the Church opposed what it regarded as uncivilized spectacles. After that, the theatre was abandoned completely. It was probably pillaged by the Visigoths in 412, and like most Roman buildings was certainly stripped of its better stone over the centuries for reuse. It was used as a defensive post in the Middle Ages. During the 16th-century religious wars, it became a refuge for the townspeople.
The Orange theatre was created under the rule of Augustus, and is believed to be one of the first of its kind in this area of modern-day France. One of the most iconic parts of this structure is the grand exterior facade, which measures to be 103 meters long and 37 meters high. Originally, there was a wooden roof across the theatre to protect the audience from unfavorable weather conditions. There is evidence on the walls that shows that, at some point, the roof was destroyed in a fire. Although it is relatively sparse in decoration and embellishment, the three story wall gives an overwhelmingly powerful appearance to the entire building. The main three doors on the first level of the facade open directly onto the stage inside the theatre, which can seat from 5,800 up to 7,300 (today, much of the seating has been reconstructed to ensure the safety of tourists and audience members).
The stage, which is 61 meters long and raised about one meter from the ground, is backed by a 37 meter high wall whose height has been preserved completely. This wall is vital to the theatre, as it helped to project sound to the large audience. The wall, also known as the scaenae frons, is the only architecturaly decorated surface throughout the entire theatre. It originally was embellished with marble mosaics of many different colors, multiple columns and friezes, and statues placed in niches. The central niche contains a 3.5 meter high statue of the emperor Augustus, although this was most likely a restoration of an original statue of Apollo, the god of music and the arts. The central door, below the niche containing this statue, is called the Royal Door, or valva regia. This door was used only by the most important, principle actors to enter and exit the stage. Above the door was a frieze decorated with centaurs, which is no longer there but is instead on display across the street in the Orange Museum (unfortunately only remains are left). The stage was covered with a modern platform when the theatre began to be used again for operas and other performances
The ruins of the 2nd century CE Roman temple, probably dedicated to the emperor, which is located next to the 1st century CE theatre of Arausio (Orange, France).