German archaeologist Theodor Wiegand conducted a series of excavations in Miletus from 1899 through 1911. In 1903, the Market Gate of Miletus was excavated and from 1907 to 1908, fragments of the gate were transported to Berlin. Wiegand wrote in his diaries that he gave a presentation using models to Kaiser Wilhelm II, who was so impressed that he ordered the gate’s reconstruction at full scale “like a theater backdrop” in the Pergamon Museum.
From 1925 to 1929, the gate was reassembled in the recently expanded museum from over 750 tons of fragments. However, the fragments did not constitute the entirety of the gate, and fill material had to be used in the reconstruction. Reconstruction began by assembling the middle-floor entablature and placing the second story columns on top, followed by reconstructing the pediments. A base and ground floor were then inserted below. Brick and cement reinforced with steel supplemented the few remains of the lower structure. Original column fragments were bored out, leaving a thickness of 3 to 4 centimetres (1.2 to 1.6 in), and filled with steel and mortar. In the 1920s and 1930s, the museum was criticized for portraying its monuments as originals when they consisted significantly of non-original material.
Dedicated to the Babylonian goddess Ishtar, the gate was constructed using glazed brick with alternating rows of bas-relief mušḫuššu (dragons) and aurochs, symbolizing the gods Marduk and Adad respectively
The roof and doors of the gate were of cedar, according to the dedication plaque. The gate was covered in lapis lazuli, a deep-blue semi-precious stone that was revered in antiquity due to its vibrancy. These blue glazed bricks would have given the façade a jewel-like shine. Through the gate ran the Processional Way, which was lined with walls showing about 120 lions, bulls, dragons and flowers on enameled yellow and black glazed bricks, symbolizing the goddess Ishtar. The gate itself depicted only gods and goddesses. These included Ishtar, Adad and Marduk. During celebrations of the New Year, statues of the deities were paraded through the gate and down the Processional Way.
The gate, being part of the Walls of Babylon, was considered one of the original Seven Wonders of the World.
The Altes Museum (German for Old Museum) is a museum building on Museum Island in Berlin, Germany. Since restoration work in 2010/11, it houses the Antikensammlung (antiquities collection) of the Berlin State Museums. The museum building was built between 1823 and 1830 by the architect Karl Friedrich Schinkel in the neoclassical style to house the Prussian royal family’s art collection. The historic, protected building counts among the most distinguished in neoclassicism and is a high point of Schinkel’s career. Until 1845, it was called the Königliches Museum (Royal Museum).
The Pergamon Altar is a monumental construction built during the reign of Greek King Eumenes II in the first half of the 2nd century BC on one of the terraces of the acropolis of the ancient Greek city of Pergamon in Asia Minor. The structure is 35.64 metres wide and 33.4 metres dee
p; the front stairway alone is almost 20 metres wide. The base is decorated with a frieze in high relief showing the battle between the Giants and the Olympian gods known as the Gigantomachy. There is a second, smaller and less well-preserved high relief frieze on the inner court walls which surround the actual fire altar on the upper level of the structure at the top of the stairs. In a set of consecutive scenes, it depicts events from the life of Telephus, legendary founder of the city of Pergamon and son of the hero Heracles and Auge, one of Tegean king Aleus’s daughters.
In 1878, the German engineer Carl Humann began official excavations on the acropolis of Pergamon, an effort that lasted until 1886. The excavation was undertaken in order to rescue the altar friezes and expose the foundation of the edifice. Later, other ancient structures on the acropolis were brought to light. Upon negotiating with the Turkish government (a participant in the excavation), it was agreed that all frieze fragments found at the time would become the property of the Berlin museums.
Karl Humann’s 1881 plan of the Pergamon acropolis.
In Berlin, Italian restorers reassembled the panels comprising the frieze from the thousands of fragments that had been recovered. In order to display the result and create a context for it, a new museum was erected in 1901 on Berlin’s Museum Island. Because this first Pergamon Museum proved to be both inadequate and structurally unsound, it was demolished in 1909 and replaced with a much larger museum, which opened in 1930. This new museum is still open to the public on the island. Despite the fact that the new museum was home to a variety of collections beyond the friezes (for example, a famous reconstruction of the Ishtar Gate of ancient Babylon), the city’s inhabitants decided to name it the Pergamon Museum for the friezes and reconstruction of the west front of the altar. The Pergamon Altar is today the most famous item in the Berlin Collection of Classical Antiquities, which is on display in the Pergamon Museum and in the Altes Museum, both of which are on Berlin’s Museum Island.
The Altes Museum (German for Old Museum) is a museum building on Museum Island in Berlin, Germany. Since restoration work in 2010/11, it houses the Antikensammlung (antiquities collection) of the Berlin State Museums. The museum building was built between 1823 and 1830 by the architect Karl Friedrich Schinkel in the neoclassical style to house the Prussian royal family’s art collection. The historic, protected building counts among the most distinguished in neoclassicism and is a high point of Schinkel’s career. Until 1845, it was called the Königliches Museum (Royal Museum).
The Neues Museum (“New Museum”) is a museum in Berlin, Germany, located to the north of the Altes Museum (Old Museum) on Museum Island.It was built between 1843 and 1855 according to plans by Friedrich August Stüler, a student of Karl Friedrich Schinkel. The museum was closed at the beginning of World War II in 1939, and was heavily damaged during the bombing of Berlin. The rebuilding was overseen by the English architect David Chipperfield. The museum officially reopened in October 2009. Exhibits include the Egyptian and Prehistory and Early History collections, as it did before the war. The artifacts it houses include the iconic bust of the Egyptian queen Nefertiti.
The Pergamon Museum (German: Pergamonmuseum) is situated on the Museum Island in Berlin. The site was designed by Alfred Messel and Ludwig Hoffmann and was constructed in twenty years, from 1910 to 1930. The Pergamon Museum houses original-sized, reconstructed monumental buildings such as the Pergamon Altar and the Market Gate of Miletus, all consisting of parts transported from Turkey. The museum is subdivided into the antiquity collection, the Middle East museum, and the museum of Islamic art. By the time the Kaiser-Friedrich-Museum on Museum Island (today the Bodemuseum) had opened, it was clear that the museum was not large enough to host all of the art and archaeological treasures excavated under German supervision. Excavations were underway in Babylon, Uruk, Assur, Miletus, Priene and Egypt, and objects from these sites could not be properly displayed within the existing German museum system. As early as 1907, Wilhelm von Bode, the director of the Kaiser-Friedrich-Wilhelm-Museum had plans to build a new museum nearby to accommodate ancient architecture, German post-antiquity art, and Middle Eastern and Islamic art.
The first mention of Nijmegen in history is in the 1st century BC, when the Romans built a military camp on the place where Nijmegen was to appear; the location had great strategic value because of the surrounding hills, which gave (and continue to give) a good view over the Waal and Rhine valley. By 69, when the Batavians, the original inhabitants of the Rhine and Maas delta, revolted, a village called Oppidum Batavorum had formed near the Roman camp.
This village was destroyed in the revolt, but when it had ended the Romans built another, bigger camp where the Legio X Gemina was stationed. Soon after, another village formed around this camp. In 98, Nijmegen was the first of two settlements in what is now the Kingdom of the Netherlands to receive Roman city rights.
In 103, the X Gemina was re-stationed to Vindobona, modern day Vienna, which may have been a major blow to the economy of the village around the camp, losing around 5000 inhabitants.
In 104 Emperor Trajan renamed the town, which now became known as Ulpia Noviomagus Batavorum, Noviomagus for short (the origin of the current name Nijmegen).
Few Roman remains are visible today; a fragment of the old city wall can be seen near the casino and the foundations of the amphitheatre are traced in the paving of the present-day
The Museum of Anatolian Civilizations (Turkish: Anadolu Medeniyetleri Müzesi) is located on the south side of Ankara Castle in the Atpazarı area in Ankara, Turkey. It consists of the old Ottoman Mahmut Paşa bazaar storage building, and the Kurşunlu Han. Because of Atatürk’s desire to establish a Hittite museum, the buildings were bought upon the suggestion of Hamit Zübeyir Koşay, who was then Culture Minister, to the National Education Minister, Saffet Arıkan. After the remodelling and repairs were completed (1938–1968), the building was opened to the public as the Ankara Archaeological Museum.
Today, Kurşunlu Han, used as an administrative building, houses the work rooms, library, conference hall, laboratory and workshop. The old bazaar building houses the exhibits. Within this Ottoman building, the museum has a number of exhibits of Anatolian archeology. They start with the Paleolithic era, and continue chronologically through the Neolithic, Early Bronze, Assyrian trading colonies, Hittite, Phrygian, Urartian, Greek, Hellenistic, Roman, Byzantine, Seljuq and Ottoman periods. There is also an extensive collection of artifacts from the excavations at Karain, Çatalhöyük, Hacılar, Canhasan, Beyce Sultan, Alacahöyük, Kültepe, Acemhöyük, Boğazköy (Gordion), Pazarlı, Altıntepe, Adilcevaz and Patnos as well as examples of several periods.
