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Constantinopel

Constantinople (Greek: Κωνσταντινούπολις Konstantinoúpolis or Κωνσταντινούπολη Konstantinoúpoli; Latin: Constantinopolis; Ottoman Turkish: قسطنطینية, Kostantiniyye‎; Bulgarian: Цариград; modern Turkish: Istanbul) was the capital city of the Roman/Byzantine (330–1204 and 1261–1453), the Latin (1204–1261), and the Ottoman (1453–1924) empires. It was reinaugurated in 324 AD at ancient Byzantium, as the new capital of the Roman Empire by Emperor Constantine the Great, after whom it was named, and dedicated on 11 May 330. In the 12th century, the city was the largest and wealthiest European city and it was instrumental in the advancement of Christianity during Roman and Byzantine times. After the loss of its territory, the Eastern Roman (Byzantine) Empire was reduced to just its capital city and its environs, eventually falling to the Ottomans in 1453. Following the Muslim conquest, the former bastion of Christianity in the east, Constantinople, was turned into the capital of the Ottoman Empire, under which it prospered and flourished again. For many centuries the city was popularly called “Istanbul”, from a Greek phrase meaning “to the city” (εἰς τὴν πόλιν), while officially it was known under various names, including Constantinople and Dersaadet. Names other than “Istanbul” became obsolete in late Ottoman Empire, and after Turkey switched to Latin script in 1928, it began to urge other countries to use the Turkish name, and “Istanbul” gradually attained international usage.

Constantinople was famed for its massive defenses. Although besieged on numerous occasions by various peoples, the Byzantine city was taken only in 1204 by the Latin army of the Fourth Crusade, recovered in 1261 by the Byzantine Emperor Michael VIII Palaiologos, and in 1453 conquered by the Ottoman Sultan Mehmed II. The first, smaller wall was erected by Constantine I, and surrounded the city. Later, in the 5th century, Theodosius II constructed the Theodosian Walls, which consisted of a double wall lying about 2 km (1.2 miles) to the west of the first wall. The city was built on seven hills as well as on the Golden Horn and the Sea of Marmara and thus presented an impregnable fortress enclosing magnificent palaces, domes, and towers, spanning two continents.

The city was also famed for its architectural masterpieces, such as the Greek Orthodox cathedral of Hagia Sophia which served as the seat of the Ecumenical Patriarchate, the sacred Imperial Palace where the Emperors lived, the Galata Tower, the Hippodrome, and the Golden Gate, lining the arcaded avenues and squares. Constantinople contained numerous artistic and literary treasures before it was sacked in 1204 and 1453. The city was virtually depopulated when it fell to the Ottoman Turks,[6] but recovered rapidly, and was, by the mid-1600s, once again the world’s largest city as the new capital of the Ottoman Empire.
Hagia Irene, Hippodrone, with Serpent Column

1978, 2009

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Perge

Perga was an ancient and important city of Pamphylia, between the rivers Catarrhactes and Cestrus. It was renowned for the worship of Artemis, whose temple stood on a hill outside the town, and in whose honour annual festivals were celebrated. The coins of Perge represent both the goddess and her temple. Alexander the Great occupied Perge with a part of his army after quitting Phaselis, between which two towns the road is described as long and difficult.
Alexander’s rule was followed by the Diadochi empire of the Seleucids.
In the first half of the 4th century, during the reign of Constantine the Great (324-337), Perge became an important centre of Christianity, which soon became the official religion of the Roman Empire. The city retained its status as a Christian centre in the 5th and 6th centuries.

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Aspendos

Aspendos was an ancient city in Pamphylia, Asia Minor, located about 40 km east of the modern city of Antalya, Turkey. It was situated on the Eurymedon River about 16 km inland from the Mediterranean Sea; it shared a border with, and was hostile to, Side. According to later tradition, the (originally non-Greek) city was founded around 1000 BC by Greeks who may have come from Argos. The wide range of its coinage throughout the ancient world indicates that, in the 5th century BC, Aspendos had become the most important city in Pamphylia. At that time the Eurymedon River was navigable as far as Aspendos, and the city derived great wealth from a trade in salt, oil and wool.

In 190 BC the city surrendered to the Romans, who later pillaged its artistic treasures. Toward the end of the Roman period the city began a decline that continued throughout Byzantine times. Aspendos is known for having the best-preserved theatre of antiquity. With a diameter of 96 metres (315 ft), the theatre provided seating for 7,000.
The theatre was built in 155 by the Greek architect Zenon, a native of the city. It was periodically repaired by the Seljuqs, who used it as a caravansaray, and in the 13th century the stage building was converted into a palace by the Seljuqs of Rum.

In order to keep with Hellenistic traditions, a small part of the theatre was built so that it leaned against the hill where the Citadel (Acropolis) stood, while the remainder was built on vaulted arches. The high stage served to seemingly isolate the audience from the rest of the world. The ‘scaenae frons’ or backdrop, has remained intact. The 8.1 metre (27 ft) sloping reflective wooden ceiling over the stage has been lost over time. Post holes for 58 masts are found in the upper level of the theatre. These masts supported a velarium or awning that could be pulled over the audience to provide shade.

The Aspendos International Opera and Ballet Festival offers an annual season of productions in the theatre in the spring and early summer.

Nearby stand the remains of a basilica, agora, nymphaeum and 15 kilometres (9.3 mi) of a Roman aqueduct. The Roman Eurymedon Bridge, reconstructed in the 13th century, is also in the vicinity.

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Greek Myra and Church of St Nicholas

The ruins of the Lycian and Roman town Myra are mostly covered by alluvial silts. The Acropolis on the Demre-plateau, the Roman theatre and the Roman baths (eski hamam) have been partly excavated. The semi-circular theater was destroyed in an earthquake in 141, but rebuilt afterwards.

Rock-cut tombs in Myra. There are two necropoleis of Lycian rock-cut tombs in the form of temple fronts carved into the vertical faces of cliffs at Myra: the river necropolis and the ocean necropolis. The ocean necropolis is just northwest of the theater. The best known tomb in the river necropolis (located 1.5 km up the Demre Cayi from the theater) is the “Lion’s tomb,”also called the “Painted Tomb.” When the traveller Charles Fellows saw the tombs in 1840 he found them still colorfully painted red, yellow and blue.

Andriake was the harbour of Myra in classical times, but silted up later on. The main structure there surviving to the present day is a granary (horrea) built during the reign of the Roman emperor Hadrian (117–138 CE). Beside this granary is a large heap of Murex shells, evidence that Andriake had an ongoing operation for the production of purple dye.ght=”600″ />

Church of St. Nicholas at Myra

The earliest church of St. Nicholas at Myra was built in the 6th century. The present-day church was constructed mainly from the 8th century onward; a monastery was added in the second half of the 11th century. In 1863, Tsar Alexander II of Russia purchased the building and began restoration, but the work was never finished. In 1963 the eastern and southern sides of the church were excavated. In 1968 the former confessio (tomb) of St. Nicholas was roofed over.

The floor of the church is made of opus sectile, a mosaic of coloured marble, and there are some remains of frescoes on the walls. An ancient Greek marble sarcophagus had been reused to bury the Saint; but his bones were stolen in 1087 by merchants from Bari, and are now held in the cathedral of that city.

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Jerash

Jerash is the site of the ruins of the Greco-Roman city of Gerasa, also referred to as Antioch on the Golden River.

Ancient Greek inscriptions from the city as well as literary sources from both Iamvichou and the Great Etymology establish the foundation of the city as being by Alexander the Great or his general Perdiccas, who settled aged Macedonian soldiers there (Γερασμένος-Gerasmenos means aged person in Greek). This took place during the spring of 331 BC, when Alexander left Egypt, crossed Syria and then went to Mesopotamia. It is sometimes misleadingly referred to as the “Pompeii of the Middle East or Asia”, referring to its size, extent of excavation and level of preservation (though Jerash was never buried by a volcano). Jerash is considered one of the most important and best preserved Roman cities in the Near East. It was a city of the Decapolis.

Recent excavations show that Jerash was already inhabited during the Bronze Age (3200 BC – 1200 BC). After the Roman conquest in 63 BC, Jerash and the land surrounding it were annexed by the Roman province of Syria, and later joined the Decapolis cities. In AD 90, Jerash was absorbed into the Roman province of Arabia, which included the city of Philadelphia (modern day Amman). The Romans ensured security and peace in this area, which enabled its people to devote their efforts and time to economic development and encouraged civic building activity.

In the second half of the 1st century AD, the city of Jerash achieved great prosperity. In AD 106, the Emperor Trajan constructed roads throughout the province, and more trade came to Jerash. The Emperor Hadrian visited Jerash in AD 129-130. The triumphal arch (or Arch of Hadrian) was built to celebrate his visit. A remarkable Latin inscription records a religious dedication set up by members of the imperial mounted bodyguard wintering there.

The city finally reached a size of about 800,000 square meters within its walls. The Persian invasion in AD 614 caused the rapid decline of Jerash. However, the city continued to flourish during the Umayyad Period, as shown by recent excavations. In AD 749, a major earthquake destroyed much of Jerash and its surroundings. During the period of the Crusades, some of the monuments were converted to fortresses, including the Temple of Artemis. Small settlements continued in Jerash during the Ayyubid, Mameluk and Ottoman periods. Excavation and restoration of Jerash has been almost continuous since the 1920s.

Remains in the Greco-Roman Jerash include:

  • The Corinthium column
  • Hadrian’s Arch
  • The circus/hippodrome
  • The two large temples (dedicated to Zeus and Artemis)
  • The nearly unique oval Forum, which is surrounded by a fine colonnade,
  • The long colonnaded street or cardo
  • Two theatres (the Large South Theatre and smaller North Theatre)
  • Two baths, and a scattering of small temples
  • An almost complete circuit of city walls.

A strong earthquake in 749 AD destroyed large parts of Jerash, while subsequent earthquakes along with the wars and turmoil contributed to additional destruction. Its destruction and ruins remained buried in the soil for hundreds of years until they were discovered by German Orientalist Ulrich Jasper Seetzen in 1806. He began excavation and a return to life of the current Jerash by inhabitants of older villages. 70 years later, this was followed by the Muslim community, Circassians, who emigrated to Jordan from the Caucasus in 1878 after the Ottoman-Russian war. Subsequently a large community of people from Syria came to the area at the beginning of the 20th century.

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Amman Citadel

The Amman Citadel is a national historic site at the center of downtown Amman, Jordan. The L-shaped hill is one of the seven jabals that originally made up Amman. Evidence of occupation since the pottery Neolithic period has been found, making it among the world’s oldest continuously inhabited places. The Citadel is considered an important site because it has had a long history of occupation by many great civilizations. Most of the buildings still visible at the site are from the Roman, Byzantine, and Umayyad periods.
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Amman Roman Theatre

The theatre was built the reign of Antonius Pius (138-161 CE). The large and steeply raked structure could seat about 6,000 people: built into the hillside, it was oriented north to keep the sun off the spectators.

It was divided into three horizontal sections (diazomata). Side entrances (paradoi) existed at ground level, one leading to the orchestra and the other to the stage. Rooms behind these entrances now house the Jordanian Museum of Popular Traditions on the one side, and the Amman Folklore Museum on the other side.

The highest section of seats in a theatre was (and still is) called “The Gods”. Although far from the stage, even there the sightlines are excellent, and the actors could be clearly heard, owing to the steepness of the cavea.

Canon S90, 2009

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Aqaba

Aqaba’s history dates back to the 4th millennium BC. The name of Aqaba was given to the port city in the 14th century when it was ruled by the Mamluk Sultan based in Egypt. Previously, it was known as Ayla, a name which archaeologists and historians have often interpreted as the twin version of Eilat.

During the 1st century BC, the Nabataeans, who raised livestock and pirated merchant ships in the Red Sea, inhabited Ayla. Around 106 AD, the Romans used the town as one of their main trading stations en route to the sea. Ayla came under Islamic rule in 630 AD, when the spread of Islam from Hejaz reached the peoples of the Red Sea. During this time, the port was known as the “Door to Palestine”.

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Syrie National Museum Damascus

The National Museum of Damascus lies in the West of the City, between the Damascus University and the Tekkiye Mosque Complex, at the Shoukry Al-Qouwatly street.
The museum was founded in 1919 at Madrasseh al Adiliyeh.[2] The current building was constructed in 1936, with wings being added in 1956 and 1975.[3]

The facade of the museum is built from the front of an Islamic palace, which was transferred and restored as the museum’s main entrance. The Museum’s unique findings are: Restorations of the Dura Europos Synagogue from the 3rd century AD; The hypogeum of Yarhai from Palmyra, dating to 108 AD; And the façade and frescoes of Qasr Al-Hayr al Gharbi, which dates back to the 8th century and lies 80 km south of Palmyra. The exhibits are organised into 5 wings;

Prehistoric Age, remains and skeletons from different Stone-Age periods, most notably the neolitihic period, as well as objects and finds discovered in the basin of the Orontes River, the Euphrates and Tell Ramad in southwestern Syria.

Ancient Syria, many Exhibits from ancient sites such as Ebla, Mari, Ugarit and Tell Halaf. The most important of these is an Ugaritan tablet, on which is the world’s first Alphabet. Other findings include tablets and amulets from Ugari, Ebla and Mari, and sculptures from Tell Halaf.

Classical Age, this wing contains classical Syrian artefacts. The displays include sculptures, marble and stone sarcophagi, mosaics, jewelry and coins from the Seleucid, Roman and Byzantine periods. The findings are from sites such as Palmyra, Dura Europos, Mount Druze, and more. Most important exhibit from the classical era is a reconstruction of a 3d century Palmyrene tomb, the Hypogeum of Yarhai, as well as the 2nd century Dura-Europos synagogue.

Islamic Age, the facade of an Islamic palace has been moved and reconstructed as the museum’s main entrance. Some of the contents of the palace are also located in the museum, including carvings.
It also contains many exhibits made of glass and metal, as well as coins, from different periods of Islamic History. There are also scriptures from the Umayyad era to the Ottomans.
There is also a hall containing an example of a traditional Syrian home, which was obtained from an old house which goes back to the 18th century.